This entry is written by Eleanor Winter, the 2015-2016 work-based trainee with the Visualisation team.
The new year started with an exciting new project – the High Angle Fire battery in Fort Cumberland. This is where an enormous gun was mounted to fire out over the Solent in the late 19th Century. Initially I admit I was somewhat intimidated by the project because I had not drawn anything to do with warfare as recent as the 19th Century. Since the gun and its mounting are no longer in existence, all I had to work from was old technical drawings – one from the side, one from above. This took a lot of working out since the old drawings had been copied and copied again, losing their initial clarity. After a lot of decipherment and consultation, I managed to translate it all into something believable. By this point I was thriving on the challenge – I felt like I was getting somewhere with my model in SketchUp and I used this model to draw scenes from. A lot of work went in and it started to get satisfying, especially as it felt nearly impossible to begin with.
The project involves drawing a sequence to show the loading and firing procedure of the gun. I tried to work this out from common sense and what I had read and seen – after sending this off to somebody very knowledgeable in the field, I found that the drill was both complicated and very specific! I had to translate these words into images just so that I could begin to understand. In the meantime I researched what the crew would have looked like and worn and had good fun thinking about their uniforms and their individual characters.
I was also tasked to produce a set of infographics for a document for the Research team. For this, I attended a meeting in the Swindon office with the team working on the document. While there I got the opportunity to see some of the Historic England archive and the wonderful resource that is the collection of aerial photography. I wished I had utilised this resource already! The infographics project has helped me to better understand what it is like to work to a very corporate brief. It has also helped me to really work on my Illustrator skills – I had only ever used this minimally before. Since these graphics are all shapes and text with no drawing by hand, it is a different type of project for me but a good one for learning how to use the software.
I added the final touches to my Carn Euny images in January and produced a potential final image of the watermill. These both involved landscapes and my supervisor noticed that this was indeed a weak spot for me – no surprises there. I have been tasked with drawing natural features around the Fort every day. I knew this would be really useful – and really difficult! I have tried several different approaches – focussing on tone, then on colour, then on mark-making and so on – and I hope to bring these together to something conclusive.
In early February I had the opportunity to go to the Digital Past 2016 conference in Llandudno. I had a great time and tried to meet as many people and soak up as much information as I could while there. I loved that the people at the conference had varied jobs within the sector so everybody had something interesting and new to tell me about. I came back enthused and with a better idea of what else is going on in the sector outside HE. I am now excited for the upcoming CIfA Conference in April.
I am also working on designing a display of the work that is produced by the Visualisation team at HE that will be in the corridor just outside the office. I think the work is so strong that it should impress everyone as it is but I must try to make it look its best as well. It is nice to have relative freedom with this, but I have to stay realistic with my vision! I hope it will end up being something everybody is pleased with.